Fountain Pens

Lamy Safari Guide: The Iconic Everyday Fountain Pen

By YPen Published · Updated

Lamy Safari Guide: The Iconic Everyday Fountain Pen

The Lamy Safari has been in continuous production since 1980 and is one of the most recognized fountain pens in the world. Designed by Wolfgang Fabian for the German pen manufacturer Lamy, it was originally conceived as a school pen—durable, easy to use, and practically indestructible. Forty-plus years later, it’s become an icon of industrial design and the first fountain pen for millions of people worldwide.

At $25-35, the Safari sits in the sweet spot between the budget Pilot Metropolitan and the higher-end options. Here’s what makes it worth considering—and where it falls short.

Design That Lasts

The Safari’s design is so distinctive it’s been featured in museum collections. The ABS plastic body comes in an ever-expanding palette of colors (matte black, yellow, red, blue, pastel pink, savannah green, plus annual special editions). The wire clip is sprung steel that doubles as a roll-stop. The triangular grip section forces your fingers into the correct writing position.

That grip section is the Safari’s most polarizing feature. The triangular shape is molded with two flats and a rounded underside that positions your thumb, index finger, and middle finger in the ergonomically correct tripod grip. If you naturally hold a pen in the tripod position, it feels comfortable and supportive. If you grip pens differently—and many people do—the forced positioning ranges from mildly awkward to genuinely uncomfortable.

Try before you buy if possible. The grip is a dealbreaker for some writers and a revelation for others.

Build Quality

The ABS plastic body is virtually indestructible for normal use. The Safari survives being dropped, thrown in bags, and rattled around in pen cups. The snap cap is firm and secure. The clip, while unusual in appearance, grips pocket edges effectively.

The plastic construction means the Safari is light—approximately 15g without the cap. This is a feature for long writing sessions (less hand fatigue) but a drawback for writers who prefer the heft of a metal pen like the Pilot Metropolitan.

The pen feels honest in its materials. It doesn’t pretend to be more expensive than it is. The design communicates “tool” rather than “luxury,” and that utilitarian quality is part of its appeal.

The Nib

Lamy nibs are proprietary—they only fit Lamy pens. This is both a limitation (no third-party nib swaps) and a convenience (easy, tool-free nib replacement). Pull the old nib off, push the new one on. Takes five seconds.

Available nib sizes:

  • Extra-Fine (EF): Comparable to a Western fine. Good for small handwriting. Can feel scratchy—Lamy EF nibs are the least consistently smooth in their range.
  • Fine (F): A solid all-around size. Smoother than the EF. Good for everyday writing on most paper.
  • Medium (M): The sweet spot. Smooth, wet enough to show ink color, wide enough to feel comfortable. This is the nib most Safaris ship with.
  • Broad (B): Wide and wet. Excellent for display writing and signature use. Requires fountain-pen-friendly paper.
  • 1.1mm, 1.5mm, 1.9mm italic/calligraphy nibs: Flat-ground nibs that produce thick-thin line variation. Wonderful for calligraphy practice and decorative writing.

Lamy’s nib quality control is less consistent than Pilot’s. Most nibs are smooth and well-tuned, but occasional dry or scratchy nibs do appear. The easy replacement system mitigates this—a new nib is $12-15, and you can swap nibs without tools to find the size you prefer.

For a complete guide to fountain pen nib types and what they mean for your writing, see [INTERNAL: fountain-pen-nib-guide].

The Ink System

The Safari uses Lamy’s proprietary cartridge system. Lamy T10 cartridges ($5 for 5) come in black, blue, blue-black, red, green, turquoise, and violet. The cartridges are Lamy-only—standard international cartridges don’t fit.

For bottled ink, the Lamy Z28 converter (~$7) replaces the cartridge. It’s a piston-style converter with adequate capacity. Combined with the converter, the Safari accepts any fountain pen ink, opening up the vast world of colors and properties that makes fountain pens special.

I’d recommend buying the converter alongside the pen. Lamy’s cartridge inks are perfectly fine but limited. Bottled inks from Pilot Iroshizuku, Diamine, and Robert Oster are where the fun starts. See [INTERNAL: fountain-pen-ink-guide-beginners] for recommendations.

The Writing Experience

The Safari writes with a medium wetness—not as generous as a TWSBI Eco, not as controlled as a Pilot Metropolitan. The steel nib has a touch of feedback (you feel the paper’s texture) that some writers prefer to dead-smooth nibs. The feedback gives a sense of connection to the page.

On Rhodia paper: Very good. The medium nib produces a clean, consistent line with nice color payoff. Minimal ghosting.

On standard office paper: Acceptable with fine and medium nibs. Broad nibs may feather. The Safari is one of the better pens for cheap paper—the controlled wetness helps.

On Leuchtturm1917: Good performance across all nib sizes. The 80 gsm paper handles the Safari well.

On Moleskine: Fine and medium are okay. Broad can ghost through the thinner paper.

The Safari’s real comfort zone is extended writing sessions. The light weight, the guided grip, and the medium flow combine to make a pen you can write with for an hour without discomfort. For journaling, note-taking, and daily writing, it’s excellent. For a guide to matching notebooks with fountain pens, see [INTERNAL: best-paper-for-fountain-pens].

The Color Game

Lamy releases special edition Safari colors annually, and some of them become collectible. Past special editions include aquamarine, mango, violet, petrol, candy, and dark lilac. The annual releases create a collector culture that keeps the Safari perpetually interesting—even if you already own several.

The standard colors (matte black, white, red, yellow, blue) are always available. For first-time buyers, matte black is the safest choice—it looks professional in any context. But part of the Safari’s charm is its color range. A bright yellow Safari on your desk is a small daily joy that a black pen doesn’t provide.

Safari vs. Al-Star vs. LX

Lamy makes three pens on the same design:

Safari (~$25-35): ABS plastic body. The lightest. The widest color range. The original.

Al-Star (~$35-45): Aluminum body with the same design. Heavier, more premium feel. The anodized aluminum finishes (graphite, copper, bronze, turquoise) have a metallic look the plastic Safari can’t match.

LX (~$50-60): Polished aluminum with gold or rose gold trim. The luxury version. Same nib, same design, premium materials.

All three use the same nibs, same cartridges/converter, and write identically. The difference is weight, material, and aesthetics. If you like the Safari design but want more heft, try the Al-Star. If you want polish, try the LX.

Who the Safari Is For

Students and daily note-takers: The original intended audience. The Safari is durable enough for school bags, light enough for all-day use, and affordable enough that loss or damage isn’t devastating.

Fountain pen beginners: The guided grip teaches correct pen holding. The easy nib swaps let you explore different line widths. The moderate price allows experimentation without commitment.

Writers who prioritize comfort: The light weight and ergonomic grip make the Safari one of the most comfortable pens for extended writing sessions.

Color enthusiasts: If you want your pen to match your mood, your notebook, or your outfit, the Safari’s color range is unmatched at this price point.

The Verdict

The Lamy Safari is a design classic for good reason. It’s comfortable, durable, versatile, and endlessly colorful. The grip section polarizes—try it before committing—but if it suits your hand, the Safari is a daily companion that serves reliably for years.

It doesn’t have the Pilot Metropolitan’s build heft or the TWSBI Eco’s ink capacity. What it has is a forty-year design legacy, easy nib customization, and the specific pleasure of a tool so well-designed that it disappears in your hand, leaving only the writing.